The Killing is a Danish police procedural set in the Copenhagen main police department and revolves around Detective Inspector Sarah Lund and her team, with each season series following a different murder case day-by-day and a one-hour episode covering twenty-four hours of the investigation. The series is noted for its plot twists, season-long storylines, dark tone and for giving equal emphasis to the story of the murdered victim’s family alongside the police investigation. It has also been singled out for the photography of its Danish setting, and for the acting ability of its cast.

The basic story of a young criminal not quite living up to his won ideals of “not to give a damn” sidesteps out of his criminal career while dragging his younger brother into it, could have been interesting. Unfortunately the implementation is simply not good enough. As so often with Danish movies, there is little appreciation for detail thus leaving us with hoodlums talking like they’ve done time at a business academy rather than a prison. Dialects completely out of here and idiosyncratic bikers without bikes or even character for that matter. An ever accelerating surrealism towards the end doesn’t help to clear the slow pace of this film but it does give a glimpse of what the story could have unfolded to become.

Thomas is finally getting married, and Andreas has arranged a bachelor party of the century… he thinks. But a shocking death during Thomas’ bachelor party sends the three friends off on an unforgettable trip to a funeral; they probably won’t be forgiven for. Speed-Dating, infidelity and near death experiences put their relationship on a serious test. The question is whether the three friends will survive the trip and the funeral – and will they make it home in time for Thomas’ wedding.

The successful entrepreneur Lars Halbo returns to Denmark when he inherits the family firm, but when he refuses to cooperate in illegal cartel pricing, his little company comes under heavy pressure.

A newspaper photographer, Jean, researches the lurid and sensational axe murder of two women in 1873 as an editorial tie-in with a brutal modern double murder. She discovers a cache of papers that appear to give an account of the murders by an eyewitness.