Carmen Electra
Three kids and their Dad move from L.A to Edmonton. When they go shopping at West Edmonton Mall they find counterfeit cash. They inadvertently help catch the crooks, and later make a discovery about Santa
Three beautiful women (Electra, Dash, and Fox) who have had their share of men trouble enter into a game of fun in which they choose a random guy and film each other seducing him so as to use the footage later to humiliate him. But problems arise when the random man is in on the joke.
A Semester at Sea ship is attacked and sunk by a mutated two-headed shark, and the survivors seek refuge on a deserted atoll. The coeds, however, are no longer safe when the atoll starts flooding.
From the creators of Scary Movie and Date Movie comes this tongue-in-cheek parody of the sword-and-sandal epics, dubbed Meet the Spartans. The 20th Century Fox production was written and directed by the filmmaking team of Jason Friedberg and Aaron Seltzer. Sure, Leonidas may have nothing more than a cape and some leather underwear to protect him from the razor-sharp swords of his Persian enemies,
Skeeter Bronson is a down-on-his-luck guy who’s always telling bedtime stories to his niece and nephew. But his life is turned upside down when the fantastical stories he makes up for entertainment inexplicably turn into reality. Can a bewildered Skeeter manage his own unruly fantasies now that the outrageous characters and situations from his mind have morphed into actual people and events?
In DISASTER MOVIE, the filmmaking team behind the hits “Scary Movie,” “Date Movie,” “Epic Movie” and “Meet The Spartans” this time puts its unique, inimitable stamp on one of the biggest and most bloated movie genres of all time — the disaster film.
A young kid (Pinkston) is forced to live out the lies he told to become popular.
When Edward, Peter, Lucy and Susan each follow their own path, they end up finding themselves at Willy’s Chocolate factory. Walking through a wardrobe, they discover the world of Gnarnia, which is ruled by the White Bitch. Meeting up with characters such as Harry Potter and Captain Jack Swallows, the newly reunited family must team up with Aslo, a wise-but-horny lion to stop the white bitch’s army
Spoof of romantic comedies which focuses on a man (Campbell), his crush (Hannigan), his parents (Coolidge, Willard), and her father (Griffin).
A modern day Cinderella story which sees disaster prone Rebecca embark on a journey in search of true love. Betrayed by her boyfriend, Richard and following a palm reader’s psychic prophecy, Rebecca goes in search of her one true soul mate.
Join uptight David Starsky and laid-back Ken “Hutch” Hutchinson as they’re paired for the first time as undercover cops. The new partners must overcome their differences to solve an important case with help from street informant Huggy Bear and persuasive criminal Reese Feldman.
When a young man agrees to housesit for his boss, he thinks it’ll be the perfect opportunity to get close to the woman he desperately has a crush on – his boss’s daughter. But he doesn’t plan on the long line of other houseguests that try to keep him from his mission. And he also has to deal with the daughter’s older brother, who’s on the run from local drug dealers.
When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix’s sister Kelly, he follows his ex into the school’s spring musical. Thus ensues a love triangle loosely based upon Shakespeare’s “A Midsummer Night’s Dream”, where Berke is only to find himself getting over Allison and beginning to fall for Kelly.
Following on the heels of popular teen-scream horror movies, with uproarious comedy and biting satire. Marlon and Shawn Wayans, Shannon Elizabeth and Carmen Electra pitch in to skewer some of Hollywood’s biggest blockbusters, including Scream, I Know What You Did Last Summer, The Matrix, American Pie and The Blair Witch Project.
David Hyde Pierce, playing an alien (credited as infinity-cubed in the opening credits), narrates a courtship in a late-20th century American city as an extraterrestrial nature documentary. The relationship “footage” is played straight, while the voice-over (with its most often wildly inaccurate theories) and elaborate visual metaphors add comedy.