In the Iranian ghost-town Bad City, a place that reeks of death and loneliness, the townspeople are unaware they are being stalked by a lonesome vampire.
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The Woman in White is reminiscing as she wanders in a lifeless home. Wife, mother, housekeeper, poet, female, mortal human – All these parts of herself no longer seem to exist but her presence still seems to be everywhere. She is inside the photos that keep the Man still, silent and indifferent in front of the TV screen. Close to her baby who needs her care and caress. Inside the reflection in the mirror when the Girl in Black looks at herself as she is struggling to figure out how to leave a home she can no longer bear. “Let me come with you…” they both ask, as a demand and a plea. And maybe, until the moon is gone from the night sky, perhaps they will have found the way that leads each of them from the darkness to light. Written by Rena Santamouris
Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create — in 21st century L.A.
Suffering from writer’s block and some curious ailments, Reiko (Nakatani Miki) moves to a countryside villa at her editor’s (Nishijima Hidetoshi) beckoning to quietly work on her next novel. Her new environment turns out to be anything but peaceful though when she sights her next door neighbor, professor Minoru Yoshioka (Toyokawa Etsushi), surreptitiously moving a thousand-year-old mummified corpse into his university lab for research. Though Reiko and Yoshioka get off to a bumpy start, the two grow closer over time, enough so that Reiko eventually agrees to hide the mummy in her home. But the mummy isn’t the only unlikely guest in her walls, as a female ghost also lurks disturbingly in the background. At first seemingly a quick trick of the eye, she grows clearer and more distinct by the day.
After surviving a violent encounter, renowned pianist, Amber Waltz, relocates to a rural farmhouse to complete her latest symphony. When the music mysteriously begins writing itself, Amber slowly discovers that this piece could be her last.
Deok-su is a grumpy landlord of a small apartment in Aridong who always pushes the tenants to pay their overdue rent. One day, people in the town, especially the elderly go missing one by one and are eventually found dead. Though the whole town is threatened by a mysterious serial killer, nobody, not even the police have a clue who the criminal is. Then, an old ex-detective Pyung-dal suddenly appears and asks Deok-su for help, saying he can catch the murderer together as he thinks there is already someone suspicious.
A giant alien mosquito-type insect is drawn to earth from the CO2 pollution in search of blood. Del, a government agent, loses loved ones to the creature and is on a personal vendetta while the Dr. Kempler is captivated by it and attempts to help the creature cleanse the earth.
The guys on Level 6 like to work hard, and party harder, that means the best booze, the finest drugs and hottest women money can buy. Unfortunately for them the Strippers they’ve just hired have come with an unwanted guest. Jacob, Jakushi, the infamous ‘Stripper Ripper’ with an oversized Panda mask and a taste for exotic dancers has these girls in his sights and he’ll stop at nothing to get what he wants. It’s now Strippers VS PandaHeaded Serial Killer as they fight to survive the office party from hell.
Michael, a wimpy young executive, is about to get pulverized by a jealous boyfriend in a bar when a handsome, mysterious stranger steps in–and then disappears. Later that night, while jogging, Michael runs into the stranger on a pier. He introduces himself as Alex, and the two go out to an under- ground club. Alex wheedles his way into Michael’s life and turns it upside down…
“All Good Things” is a love story and murder mystery based on the most notorious unsolved murder case in New York history. The original screenplay uses newly discovered facts, court records and speculation as the foundation for an imaginative spellbinding story of family, obsession, love and loss.
The story of a young Marine, fresh from Camp Pendleton, who is forced to confront the complexities of adulthood and a volatile home life during a four-day Thanksgiving leave.
IT’S NOT A DATE tells the story of Carly and Milo, a couple in their twenties on their first date. Although “It’s not a date” but more of a casual meet at a local club; it begins as a classic girl meets boy saga with casual conversation that escalates to a night of passion. It evolves, NOT into a romantic partnership or a parting nod, to “bad chemistry” but instead with Carly. Frustrated with a life full of bad dates and believing that Milo is the worse of them she takes Milo on a detour into insanity so extreme he wishes “It’s not a date.”
