At the beginning of the 20th century, China is in a state of crisis. The country is split into warring factions, the citizens are starving, and recent political reforms have made matters worse, not better. The ruling Qing Dynasty, led by a seven-year-old emperor, and his ruthless mother, Empress Dowager Longyu is completely out of touch after 250 years of unquestioned power. Huang Xing has recently returned from Japan, where he has studied the art of modern warfare. When he finds his country falling apart, he feels he has no choice but to pick up the sword.

In June 2013, Laura Poitras and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely sui generis in the history of cinema: a 100% real-life thriller unfolding minute by minute before our eyes. Poitras is a great and brave filmmaker, but she is also a masterful storyteller: she compresses the many days of questioning, waiting, confirming, watching the world’s reaction and agonizing over the next move, into both a great character study of Snowden and a narrative that will leave you on the edge of your seat as it inexorably moves toward its conclusion.

In the vast space, the astronauts lost connection with the ground. He recalled his greatest father in the most desperate situation. Father and son run across time, guarding love and family. The story is full of joy, warmth, tears and wonders.

Kasie, stuck in LA’s Koreatown, works as a karaoke hostess getting paid for her companionship by drunken men. When her dad’s hospice nurse quits she reconnects with her estranged brother, Carey, forcing them to enter a period of intense self-reflection as their single father who raised them nears death.

With Christmas approaching, a handsome fireman afraid of commitment adopts a stray cat and meets a beautiful veterinary student who challenges his decision to remain a confirmed bachelor.

During a long hot summer in the 1970s, four boys roam free through a neglected rural paradise, until a tragedy strikes that sets them against the adult world and changes their lives forever.

When a soldier’s son reveals damning information about a local gangster’s missing daughter, a war of attrition wreaks havoc on their forgotten coal mining town.

A young woman in early-1900s Italy searches for a mystical sanctuary where her stillborn child can be brought back to life long enough to be baptized.

When 54 high school girls throw themselves in front of a subway train it appears to be only the beginning of a string of suicides around the country. Does the new all-girl group Desert have anything to do with it? Detective Kuroda tries to find the answer, which isn’t as simple as he had hoped.

Mia (Ruth Vega Fernandez) and Frida (Liv Mjönes), both in their thirties, meet each other for the first time at their parents’ engagement party. Mia’s father, Lasse (Krister Henriksson), is about to get married to Frida’s mother, Elizabeth (Lena Endre), which will make Mia and Frida stepsisters. Lasse’s daughter, Mia, has not visited her father in years and arrives with her boyfriend, Tim (Joakim Nätterqvist), with whom she is about to get married. As Mia and Frida get to know one another, strong emotions begin to stir between them. Their relationship will turn everything upside down for everyone close to them with dramatic consequences.

He is very famous in Japan, the singer in red from Kanjani Eight. Here, Subaru plays a small-scale gangster who’s lost his memory and is helped by a girl who just by chance happens to be the manager of a band. Comedy with music, craziness, melancholy and love.

A Los Angeles extreme-sports photographer returns home for the holiday to take care of her grandmother, only to have a neighbor grab her attention as he needs assistance watching his young nephew.