A vampire named Bathor turned an entire village to vampires, stuck around long enough to teach them to survive, and then promised to return in 2000 years after conquering the rest of the continent. The only problem with this plan is that the vampires, although immortal, have only a limited capacity for memory. As time passes, they forget their utopian society and led by the totalitarian zealot Grando, become paranoid, superstitious fundamentalists, splitting their society by race and gender lines, seeking to destroy those who are deemed sinful. Long-forgotten lovers Élisabeth and Fantine find that, with the help of those who were banished in the past, it is their fate to piece together the past and help preserve the little that remains before Bathor’s impending return.
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Tell Gordon Hello was spawned off of Morgan Rodner’s love of two things: film and comics. During a writer’s block that all artists come across at some point in their lifetime, Rodner met Paul Louis Harrell while directing another short film. Rodner soon discovered that Harrell had a pastime of playing the Joker on Hollywood Blvd for tips which was the catalyst that put the wheels into motion for Tell Gordon Hello. – Written by Morgan Rodner
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
Three demonic sisters who resemble neo-goth voodoo dolls are accidentally conjured from the other side during a failed attempt to raise a little girl from the dead. With impeccable fashion sense and teen aged angst, the Sugar Skull Girls will stop at nothing to escape the clutches of The Pale Witch, the ruler of The Shadow world.
Rachel, a rookie cop, is about to begin her first night shift in a neglected police station in a Scottish, backwater town. The kind of place where the tide has gone out and stranded a motley bunch of the aimless, the forgotten, the bitter-and-twisted who all think that, really, they deserve to be somewhere else. They all think they’re there by accident and that, with a little luck, life is going to get better. Wrong, on both counts. Six is about to arrive – and All Hell Will Break Loose!
In this tense tale of psychological terror, Vivian Miller (Young) is a young twenties woman who’s serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Theater, a dilapidated summer stock theater run by Lawrence O’Neil (Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian’s arrival in Cawdor starts a terrifying series of events that brings Lawrence’s secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim.
Ayano Mishima works as an AD at a TV broadcasting station. She covers the mysterious death case of a young man. Before he died, he said that somebody was watching him. Covering the case, Ayano Mishima realizes that the mysterious eye is also coming after her.
Nothing is as it seems as an ex-con and aspirant filmmaker set out to manufacture a horror film by scaring real people; however, when it goes too far and someone actually dies, the pair decide that killing for real on film is the way to make a truly terrifying movie.
After atmospheric catastrophes send Los Angeles into chaos, three groups of survivors who escaped the city must put aside their differences to face a series of apocalyptic events. As they learn to work together they are faced with an even greater nightmare, giant gravity swells that contain thousands of giant killer bees, intent on ushering in the end of the world.