Night radio host Sam is in love with Emily. Afraid of showing his feelings he rejects her advances – to a point. Plagued by alcohol addiction and depression, he also has a less worldly problem: He (and the others) are vampires who are keen to hide this from the new station manager. All is explained in this black comedy.
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Key of Brown a thriller, action, drama, tells the story of one harrowing night in the life of “Bernadette Lawson” a retiring call girl, recently released from prison and serving out the remainder of her sentence on monitored house arrest. In need of cash, she can’t resist doing a, quick, one hour, five hundred dollar favor for her ex-madam but the night turns deadly when the client turns out to be a notorious serial killer of prostitutes, wanted by the F.B.I. and transporting a kilo of high quality brown heroin.
The Postables work against the clock decoding a letter to rescue a soldier in Afghanistan and reunite her with her family, while Rita competes for the national Miss Special Delivery title in Washington, D.C.
A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12 year old charges with her over-romanticized world view.
An aspiring but adrift teen singer goes to live with her grandmother, once a country music legend, but has fallen on hard times after the death of her husband five years earlier. Together, they overcome adversity and find redemption through their love of music.
Following a group of friends from university as they progress into middle-age life and go their own separate ways.
During the trial of a man accused of his father’s murder, a lone juror takes a stand against the guilty verdict handed down by the others as a result of their preconceptions and prejudices. The film is adapted by Reginald Rose from his own 1957 film version (directed by Sidney Lumet) and from the Westinghouse One television production that predated it. George C. Scott won a Golden Globe for his supporting role; righteous juror Jack Lemmon was denied such an honor for Best Actor, but recipient Ving Rhames (for Don King) dedicated his award to Lemmon.
Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80’s she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn’t want to leave without getting her daughter back.
Thomas, a young German baker, is having an affair with Oren, an Israeli married man who has frequent business visits in Berlin. When Oren dies in a car crash in Israel, Thomas travels to Jerusalem seeking for answers regarding his death. Under a fabricated identity, Thomas infiltrates the life of Anat, his lover’s newly widowed wife, who owns a small Café in downtown Jerusalem. Thomas starts to work for her, creating German cakes and cookies that bring her Café to life. Thomas finds himself involved in Anat’s life in a way far beyond his anticipation. To protect the truth he will stretch his lie to a point of no return.
In India, open romance is forbidden, as is showing affection in public. A college principal named Narayan is a strong believer in this, aware that a male student named Vicky is in love with Ishika; while another male student is hopelessly in love with Sanjana; and a third man named Karan is in love with a married woman named Kiran. No amount of persuasion can get Narayan to change his mind. Then the college recruits a music teacher named Raj, who eventually starts fanning the flames of love among the students, much to Narayan’s chagrin, anger, and displeasure. Things get worse when Narayan finds out that Raj was the very man who fell in love with his daughter who eventually committed suicide when he didn’t grant them permission to get married. Will the six young people be also heartbroken by Narayan, and if so, who will be the first to kill himself or herself?
Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.