The story follows a family of inbreeds that have been afflicted by a genetic disorder known as ‘Merrye syndrome’, named after the family in which the disorder developed. This malady causes it’s victims to enter a state of age regression that starts at the age of ten and continues throughout the remainder of the person’s life, rendering them with the intelligence of a child. The final generation of the family has been entrusted to the care of the family chauffeur (Lon Chaney Jnr), and all is well for these odd people until a greedy branch of the family decides that they want to relieve the family of it’s home. Mental illness has always, and will always be, a fascinating subject for horror movies as it probes into the unknown and Spider Baby makes best use of that fact.

Gu and Qian used to be a college couple and broke up six years ago. Qian and her son return from Australis and meet Gu. The little boy tries his best to make the couple reunite.

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.

When Manny Singer’s wife dies, his young daughter Molly becomes mute and withdrawn. To help cope with looking after Molly, he hires sassy housekeeper Corrina Washington, who coaxes Molly out of her shell and shows father and daughter a whole new way of life. Manny and Corrina’s friendship delights Molly and enrages the other townspeople.

A band struggles with a radioactive energy in their music they can’t control.

Straight-laced Jordan (Martin) is about to marry Peter (Snedeker), a clean-cut ambitious attorney. Before she walks down the aisle, Jordan and her best friends, Claire (Adrienne Frantz) and Jessica (Daphnee Duplaix), head to Vegas for a bachelorette party, because what happens in Vegas stays in Vegas, right? But when Jordan wakes up the next morning unable to recall the night before, she panics when she finds she’s in movie star Matt’s (Ethan Erickson) hotel suite with a gigantic diamond on her finger and a marriage certificate lying nearby. Before Jordan can have the marriage annulled and put this nightmare behind her, the impromptu wedding explodes into a publicity stunt fueled by Matt’s manager Eric (Bruce Nozick) to promote his latest movie. With her wedding day approaching, Jordan finds herself more confused than ever when she starts falling in love with the movie star she’s married to instead of the fiancé she thought was her perfect match.

Catherine Tate’s iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan’s present with her past where we finally find out what’s made her the cantankerous old bastard she is today.

Valentin D is a hot designer architect who claims to be an orphan because he is too ashamed to admit he is the son of working-class scrap metal merchants from the north of France.

Rattled by the prospect of becoming a dad, a 40-year-old filmmaker begins to consider what “manhood” really means for him, prompting him to pursue an array of interests and reexamine his views — which were shaped by his father.

Smart and brazen comedian Iliza Shlesinger shares her unflinchingly honest observations on the differences between men and women. Filled with hashtag-able catch phrases, this is a laugh-out-loud revelation exposing some of women’s best kept – and ugliest – secrets, including truths about first date attire, fantasy break-ups and the tireless pursuit of not being cold while still looking hot.

Just as Simone works up the courage to tell her conservative Jewish family she’s a lesbian, she finds herself attracted to a male Senegalese chef.

Mary moves back to her suburban hometown, to find that the suburbs are scarier in more ways than she ever remembered.