Nasty Baby centers around a Brooklyn couple, Freddy and his boyfriend Mo, who are trying to have a baby with the help of their best friend, Polly. Freddy is an artist, and his latest work is all about babies – it’s clear he’s dying to be a father. Polly is a family practitioner who is more interested in having a baby than having a man. Mo is hesitant about the entire idea, especially when Polly isn’t having success with Freddyʼs sperm and the donor responsibility shifts to him. Set almost entirely in the multicultural vibrancy of Fort Greene, Brooklyn, the trio navigates the idea of creating life, when they are confronted by unexpected harassment from particularly aggressive neighborhood man, nicknamed The Bishop. The Bishop is bothersome in small, yet persistent ways, with a hint of danger. As their clashes become increasingly aggressive, someone is bound to get hurt.
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In trouble with the local authorities, Mabel Simmons, notoriously known as Madea, is on the run from the law. With no place to turn, she moves in with her friend Bam who is recovering from surgery. Unbeknownst to Bam however, Madea is only using the “concerned friend” gag as a way to hide out from the police.
He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.
In 1999, Star Wars fanatics take a cross-country trip to George Lucas’ Skywalker Ranch so their dying friend can see a screening of The Phantom Menace before its release.
Astronaut Roy McBride must undertake a harrowing journey to the edge of our solar system when his long-lost scientist father seems to have resurfaced despite having been declared dead many years ago. His reappearance appears to be connected to a series of mysterious explosions and a top secret military project. As McBride makes his way across a series of increasingly dangerous outposts on the Moon and Mars, forces converge to stop him from finding answers while another impending explosion threatens to destroy life as we know it.
A circle of thirty-something friends reunite for a weekend away to celebrate the same sex wedding of a member of their group. Yet, despite their best efforts to behave themselves, a series of surprise plans, unexpected arrivals and exposed secrets lead to an explosion of drama that, coupled with the flammable combination of hurt feelings, unresolved tensions, and lots of wine cannot be contained.
Set in the Depression-era Franklin County, Virginia, a bootlegging gang is threatened by authorities who want a cut of their profits.
Josh wakes each day to a series of Hells. Between uncaring parents and bullying at school he has little to live for. After a brutal event and ensuing humiliation of an online video, Josh and his friends decide to take revenge by staging a massacre at the homecoming dance. Searching for weapons, they find a man who perpetuates a far more murderous darkness than even their plot might suggest. Trapped in his lair, and finding a kidnapped girl from the opposite clique, the boys learn a lot about each other’s character and their own. Even if Josh can rescue the captive cheerleader, he must still lead them both out in time to stop his friend from completing the pact to massacre their school. An American Terror is an explosive and surprising modern day horror mash-up. Totally and relentlessly disquieting – great atmosphere and sound and perfectly gruesome.
When a mother returns to her musical roots, she rediscovers the passion of her youth, and finds a way to connect with her troubled youngest son.
Two young sisters recovering from an unnamed trauma must face a mysterious past in this excellent South Korean shocker. A worldwide hit upon its release and based on an old Korean fairy tale; two sisters come to live with their cold and distant father and turn-on-a-dime stepmother in a house where nothing is as it seems. A wonderfully haunting score, starkly beautiful imagery, and a labyrinthine plot that twists and turns at every dark corner all set the stage for a riveting and often terrifying guessing game of a movie. Equal parts drama, mystery, and ghost story, A Tale of Two Sisters is a richly complex and challenging cinematic treat that may very well demand repeat viewings.
In this modern take on Charles Dickens’ “A Christmas Carol,” Frank Cross (Bill Murray) is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life, Claire Phillips (Karen Allen). But after firing a staff member, Eliot Loudermilk (Bobcat Goldthwait), on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.
The Nazi occupation of Tunisia strains the bonds of friendship between a Muslim woman and a Sephardic Jewess who are both preparing for their marriages.
