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At the crossroads of two great ancient empires, a simple shepherd named David transforms into a powerful warrior and takes on a terrifying giant. One of history’s most legendary battles is retold in a stylistic, bloody tale of courage and faith.
Young married couple Rie (Tomoyo Harada) and Sang (Yo Oizumi) move from Tokyo to Lake Toya in Hokkaido Prefecture to start a bakery restaurant named Mani. Sang bakes bread and his wife Rie makes food that complements the bread. Spring, Summer, Autumn and Winter, the customers leave in a happy state.
Chi earned her American dream after persevering with her studies in Taiwan. Following her grandmothers’ death, Chi returns to her family on Happiness Road, where she begins to feel nostalgic about her childhood and starts to contemplate the meaning of “life” and “home”. What is happiness? Will Chi find her own happiness?
Erik, a lecturer in architecture, inherits his father’s large old house in Hellerup, north of Copenhagen. His wife Anna, a well-known television newscaster, suggests that they invite their friends to come and live with them. In this way she hopes to evade the boredom that has begun to seep into their marriage. Before long, a dozen women, men and children move into the country house, make collective decisions, engage in discussions and go swimming together in the nearby Øresund strait. They also rub each other up the wrong way on account of their smaller and larger idiosyncrasies. Their fragile equilibrium threatens to come undone when Erik falls in love with his student Emma and the young woman moves into the house. Fourteen-year-old Freja, daughter of Erik and Anna, aloofly observes these goings-on and seeks her own way.
The truth of the past come to light in a series of haunting visions in this drama. The strange visions grow more vivid with each passing day, a young woman of Native American heritage begins piecing together a Catholic priests diabolical plot to prevent her mother from revealing the atrocities that unfolded at a Native Indian boarding school.