Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
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A man coping with the institutionalization of his wife because of Alzheimer’s disease faces an epiphany when she transfers her affections to another man, a wheel chair-bound mute who also is a patient at the nursing home.
In the debut movie from Griselda Films, Hunter comes home from prison and attempts to get his life on the right track. Will he succeed or be dragged back into his criminal past? He is, as the title suggests, conflicted. And Michael Rapaport is in a scene.
Katie (Lucy Hale) and Sara (Phoebe Strole) have been friends since childhood. They enter college together, where Katie is a prized legacy candidate for the Delta sorority, which was co-founded decades ago by her mother, Lutie (Courtney Thorne-Smith) and Summer (Faith Ford), whose own daughter Gwen (Amanda Schull) now leads the Deltas on campus. Events occur during pledge week to cause a rift between Katie and the Deltas, which leaves Sara as a Delta pledge and Katie out in the cold. Katie joins the rival Kappa sorority, and the rivalry splits not just Katie and Sara, but extends all the way into the Delta alumnae association led by Lutie and Summer.
Karolina (Katarzyna Zawadzka) works in a bank, she is energetic, self-confident, go-getting. When the latest currency product comes into her hands – a loan in Swiss francs, the woman gets a great chance to prove herself. Having the full consent of his boss – Adam (Tomasz Karolak), he unscrupulously starts persuading clients to take the most risky and unfavorable investments. Jan (Jan Frycz) is the gray eminence of the Polish financiers. In his phone, he has contacts to the presidents of the largest banks in Poland. His cynical ideas and decisions affect the economy and the fate of hundreds of thousands of people overnight. Such as Artur (Rafał Zawierucha) – an ambitious head of an IT company who decides to use currency options to develop his business. His partner is Mateusz (Antoni Królikowski), who dreams of independence, his own place and the longed-for move away from his in-laws.
The story of a man who feels happy only when he is unhappy: addicted to sadness, with such need for pity, that he’s willing to do everything to evoke it from others. This is the life of a man in a world not cruel enough for him.
The film portrays a fairy tale re-imagining of V.E. Day in 1945, when Princess Elizabeth and her sister Margaret were allowed out from Buckingham Palace for the night to join in the celebrations, where they encountered romance and danger.
The theme of the film is tribute to the single screen cinema halls that are rapidly becoming rare in India. Pranabendu Das is a retired film exhibitor from a small-town in West Bengal. He owns a movie theatre ‘Kamalini’ named after his separated wife. With the advancement of technology and the arrival of the digital medium, this man was compelled to let go of his theatre which projected films only on celluloid. Prakash is unperturbed by his father, Pranab’s condition. He is an opportunist, who would never give morality a chance while making himself an established businessman. He sells pirated DVDs of feature films in the town. This is a father-son relationship tale weaved through the beautiful backdrop of cinema. Pranab has always maintained himself as a true Cinemawala, whereas, Prakash is also spreading films among the people, but in a way not so acceptable to his father.
Petra doesn’t know who her father is. Her entire life, it’s been hidden from her. After the death of her mother, she embarks on a search that leads her to Jaume, a famous artist and a powerful, ruthless man. On her path to uncovering the truth, Petra also meets Jaume’s son, Lucas, as well as Marisa, his mother and Jaume’s wife. That is when the story of these characters begins to intertwine in a spiral of malice, family secrets and violence that drives them all to the edge. But fate’s cruel logic is derailed by a twist that opens a path to hope and redemption.
The story of Rob Cole, a boy who is left a penniless orphan in an 11th-century English mining town when his mother dies of a mysterious illness. Vowing to become a physician and vanquish Death itself, he travels to Isfahan in Persia to study medicine under the great Ibn Sina. Through countless ordeals and challenges, and making many sacrifices along the way, he struggles on unwaveringly. His unflagging quest for knowledge leads to the blossoming of friendship and true love.
Neddy Merrill has been away for most of the summer. He reappears at a friend’s pool. As they talk, someone notices that there are pools spanning the entire valley. He decided to jog from pool to pool to swim the whole valley. As he stops in each pool his interactions tell his life story.