A documentary about branding, advertising and product placement that is financed and made possible by brands, advertising and product placement.
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Professional daredevil and white-suited hero, The Great Leslie, convinces turn-of-the-century auto makers that a race from New York to Paris (westward across America, the Bering Straight and Russia) will help to promote automobile sales. Leslie’s arch-rival, the mustached and black-attired Professor Fate vows to beat Leslie to the finish line in a car of Fate’s own invention.
WHITEY: United States of America v. James J. Bulger captures the sensational trial of infamous gangster James ‘Whitey’ Bulger, using the legal proceedings as a springboard to explore allegations of corruption within the highest levels of law enforcement. Embedded for months with Federal Prosecutors, retired FBI and State Police, victims, lawyers, gangsters and journalists, Academy Award-nominated filmmaker Joe Berlinger examines Bulger’s relationship with the FBI and Department of Justice that allowed him to reign over a criminal empire in Boston for decades. Pulling back the curtain on long-held Bulger mythology, the film challenges conventional wisdom by detailing shocking, new allegations. With unprecedented access, Berlinger’s latest crime documentary offers a universal tale of human frailty, opportunism, deception, and the often elusive nature of truth and justice.
Part road-movie and part intimate portrait of lives in transit, IT WILL BE CHAOS unfolds between Italy and the Balkan corridor, intercutting two unforgettable refugees stories of human strength and resilience.
Recent college graduate Benjamin Braddock is seduced by the wife of his father’s business partner, Mrs. Robinson. Benjamin soon finds himself falling in love with her daughter, Elaine, as the affair with Mrs. Robinson mother comes back to haunt him.
Disaster strikes when the egotistical CEO of an edible cutlery company leads her long-suffering staff on a corporate team-building trip in New Mexico. Trapped underground, this mismatched and disgruntled group must pull together to survive.
In the aftermath of a zombie outbreak, zombies are cured and exiled to secluded camps. There has been talk about rehabilitating post-zombies back into society. Steve, the journalist reporting on the case, thinks the zombies still pose a threat to society. He ventures into one of these camps to prove to the world that rehabilitation is out the question.
Julius and Vincent Benedict are the results of an experiment that would allow for the perfect child. Julius was planned and grows to athletic proportions. Vincent is an accident and is somewhat smaller in stature. Vincent is placed in an orphanage while Julius is taken to a south seas island and raised by philosophers. Vincent becomes the ultimate low life and is about to be killed by loan sharks.
Captain Red runs a hardy pirate ship with the able assistance of Frog, a dashing young French sailor. One day Capt. Red is captured and taken aboard a Spanish galleon, but thanks to his inventiveness, he raises the crew to mutiny, takes over the ship, and kidnaps the niece of the governor of Maracaibo. The question is, can he keep this pace up?
Hey Arnold!: The Movie is a 2002 animated film based on the 1996-2004 Nickelodeon animated television series Hey Arnold! The film was released in theaters on June 28, 2002 from Paramount Pictures and Nickelodeon Movies.This is also Nickelodeon’s first PG-rated animated film, for thematic elements.The show stars 4th-grader, Arnold, who lives with his paternal grandparents, Phil and Gertrude, proprietors of the Sunset Arms boarding house. In each episode, Arnold often helps a schoolmate solve a personal problem, or encounters a predicament of his own.When a powerful developer named Mr. Scheck wants to knock down all the stores and houses in Arnold’s neighborhood to build a huge “mall-plex”, it looks likes the neighborhood is doomed to disappear. But with the help of a superhero and a mysterious deep-voiced stranger, Arnold and Gerald will need to recover a crucial document in order to save their beloved neighborhood.
Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to politicians and media, this ordinary girl finds herself thrust onto the world stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people’s good intentions.