A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.
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Goro, a criminal mastermind, plot to steal a massive cache of gold from the Rossini family. Unbeknownst to Goro and his soldiers of fortune, one of Rossini’s guest is a highly trained foreign operative who fights to not only save the hostages and the gold, but his imperiled family.
Jules has just inherited a quaint Christmas tree farm bequeathed her by her grandmother. This is good news, since she plans to sell it and use the profits to buy her dream home in the city. The farm needs a bit of sprucing up, but Jules is a natural fixer so she’ll have it cleaned up in no time to impress buyers and be out by Christmas. But the longer Jules stays on the farm and the more she learns how important Christmas Land has been to so many families, the more Jules starts to question her motives to sell. And when the perfect buyer turns out to have ulterior motives for the farm, Jules must do whatever it takes to save Christmas Land.
A young woman is haunted by visions of a faceless man after she is awoken from the dead in a body that is not her own.
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After traveling to London to check on their missing children in the wake of the 2005 London terror attacks on the city, two strangers come to discover their respective children had been living together at the time of the attacks
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.